PUBLICATIONS
BOOKS
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Cholochitro Jatra (A Journey in Film), Editor. Kothaprakash Publishers (Dhaka), revised & updated 2nd edition, August 2021.
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Cholochitra Kotha (Speaking of Film), Editor. Anthology of speeches and interviews of Tareque Masud. Kotha Prokash. December 2019.
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Cholochitra Lekha (Collected Scripts and Songs), Editor. Anthology of Scripts by Tareque Masud & Catherine Masud, and Songs written by Tareque Masud. Prothoma Publishers, December 2013.
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Tareque Masud: Life & Dreams, Editor. Bilingual publication (English-Bengali) on the life of the late filmmaker. Prothoma Publishers & British Council, June 2012.
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Cholochitro Jatra (A Journey in Film), Editor. Collection of writings on cinema by Tareque Masud. Prothoma Publishers, February 2012.
ARTICLES
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The Armenian Memory Project: The Power of Personal Archives in Witnessing, Teaching, and Visual Storytelling, co-authored with Armen T. Marsoobian, 2023. Published in the Journal of Human Rights Practice.
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Film Policy in Bangladesh: The Road to Reform, in Forum Magazine (BD), overview of film industry crisis and potential solutions, Volume 5, Issue 11, November 2011.
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The Making of Muktir Gaan, in Forum Magazine (BD), Volume 3, Issue 3, March 2008.
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Cinema and Identity, Jamini Arts Quarterly (BD), March 2009. (Guest Editor of this issue).
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Of Seasons and Soil, Jamini International Arts Quarterly (BD), on making of Matir Moina, August 2003.
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The Adolescent City, Jamini International Arts Quarterly (BD), on Dhaka urban landscape, November 2003.
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Escape from Bollywood, The Guardian (UK), on Bangladesh parallel cinema, July 2003.
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Cinema and National Memory in Bangladesh, Vertigo (UK), an analysis of representations of national identity in Bangladeshi film, Vol. 2, No. 5, Summer 2003.
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Others: Articles on various film-related themes for Bangladesh daily newspapers including The Daily Star, New Age and Prothom Alo
INTERVIEWS & REVIEWS (Selected)
SCHOLARSHIP CITING MY WORK (Selected)
Bangladesh Cinema and National Identity, by Z.R. Raju. Routledge Press (2014).
Gendered Embodiments: Mapping the Body-Politic of the Raped Woman and the Nation in Bangladesh, by Nayanika Mookherjee. Feminist Review, vol. 88, pp. 36-53 (April 2008).
Interpretive Framework in Muktir Gaan (Song of Freedom, 1995): (Re)vision of History and Gender, by Fahmida Akhter. South Asian Popular Culture, Vol. 17, Issue 3, pp. 227-246 (2019).
Madrasa and Muslim Identity on Screen, by Z.R. Raju. Chapter 8 in Madrasas in South Asia: Teaching Terror?, ed. Jamal Malik, pp. 125-141, Routledge (2007).
Mobilising Images: Encounters of ‘Forced’ Migrants and the Bangladesh War of 1971, by Nayanika Mookherjee, in Mobilities, Vol. 6, Issue 3, pp. 399-414 (2011).
Muktir Gaan, the Raped Woman, and the Migrant Identities of the Bangladesh War, by Nayanika Mookherjee, chapter in Gender, Conflict, and Migration (ed. N.C. Behara), pp. 72-96, Sage Publishers (2006).
Negotiating Identity: Islam in the Films of Tareque and Catherine Masud, by Anis Pervez. Chapter 9 in Bangladesh’s Changing Media Landscape: From State Control to Market Forces, pp. 151-174. London, Intellect Ltd (2014).
Simulation at War’s End: A “Documentary” in the Field of Evidence Quest, by Naeem Mohaiemen. Bioscope, vol. 7 issue.1, pp. 31-57 (May 2016).
The Clay Bird: Identity Construction of Bengali Muslims on the Screen, by Fahmidul Haque. Bangladesh Film Archive Journal, Vol. 3, no. 3 (2010).
The Role of Music and Art in Tareque and Catherine Masud’s Muktir Gaan (Song of Freedom), by Rehnuma Sazzad. Kinema: A Journal for Film and Audiovisual Media, No. 39, pp. 57-75 (2013).